Winner of the 2003 Spire Poetry Competition.
Read More“Love stays with us far longer than we realize. Loren Kleinman's Stay with Me Awhile shows how our underlying love for objects, memory, sex, books, and nature have a lasting impact on our everyday lives. As the world decays around us, the only way we can preserve our presence is to stay, embed ourselves in the experience of living deliberately, to look at one another with lasting conviction to be.”
Read MoreThe essence of a miscellany of diverse things is not merely to catalog a wunderkammer of everyday objects, but moreover to hold up a double mirror: one to reveal the interior lives of objects, and another to reflect the depths of their creators and owners.
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“Philip Kobylarz’s enigmatic poems lead us into silences. “All views are interiors.” They also remind us that poetry is a tribute to Mystery. By elevating ordinary moments to the level of the Silence, Kobylarz validates every small and minute detail of existence.” – Ewa Chrusciel
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Translated and curated by Aya Kusch, Cats in Spring Rain pays homage to the cat through artfully curated Japanese poetry and prints.
Read More“The captivating poems in Dirty Words aren’t just a feminist journey through women’s issues. These essential poems represent women in the various mundane, necessary, and often unfortunate aspects of life throughout all the stages of a woman’s years, from young girl to mother. Poems about sexual violence, abortion, marriage, and motherhood are just some of the topics unearthed with passion and precision. Lilius brings together words that strike into our hearts and bodies through vivid imagination and eager images. The reader will see that feminism isn’t a dirty word after all, but rather a powerful and vital concept everyone should apply to the everyday, the universal.”
Read MoreDancing Girl Press, 2017.
Read More“‘I don’t know what to do with my electric hands’ begins Sarah Lilius’s Song for PTSD. Whatever the ‘I’ may or may not know, the poems still light up and claim, entering a labyrinth of trauma and raising their stark lanterns to moments of raw and startling, embodied consciousness. Here, through hours in the therapist’s office and moments of remembered violence, the body may be ‘shifting, beating organs,’ the mind can be ‘rocks/ in a cloth bag spinning/ through December air.’ These poems blaze, exquisite with heat, shaking and changing the darkness.” —Sally Rosen Kindred, author of Where the Wolf
Read MoreTraffic Girl is a micro-chapbook published as part of the 2020 Ghost City Press Summer Micro-Chap Series
Read MoreThe Path of Birds: Poets on the Rise (Flying Ketchup Press, 2023), co-edited by Polly Alice McCann and Samantha Malay, gathers bird-inspired work from twenty-five international poets and features the intricate narrative verse of Araceli Esparza and full-color art by Robin Moravec and Joha Bisone.
Read MoreThis is a beautifully-crafted, witty and sometimes sad exploration of the challenges of youth and contemporary life. Sad Havoc draws on the poet’s memories, often viewed through the prism of his later experience of different countries and cultures. The poet’s unique style, often playful, occasionally irreverent, is arresting in its evocation of the chaos, humour and the pathos of urban living.
Read More“Anyone’s Son is a book of music and memory. In this remarkable first collection, David Meischen brings us with him across decades and landscapes, through bedrooms and parked cars, across a life riven through with longing. Queer as every Texas sunset, queer as needing to leave and stay at once. This is a book of opening and unbuttoning. This is a book unzipping its very text so a reader might see the heart throbbing there below the page.” —Sam Sax, bury it
Read More"Meischen conjures the hackberries and mesquite, the cotton harvests and 'rainless earth' of his rural Texas homeplace with meticulous reserve, clarity, and crisp music. A work of abiding love and questing memory, this new volume provides the stirring pleasures of a family album while nimbly skirting sentimentality and reflexive nostalgia in favor of well-earned insight, jubilant celebration (mornings aglow like 'carnival glass'), and able compassion. The highest compliment that I can pay Meischen is that his German-American family chronicle brings to mind James Agee's indelible and legendary 'Knoxville: Summer of 1915.' Caliche Road Poems is a vibrant contribution to the literature of Texas." - Cyrus Cassells, Texas Poet Laureate, 2021, author of Is There Room for Another Horse on Your Horse Ranch?
Read MoreComprised of 21 poems written in the voice of Mother Mary, "My Name is Mary" is a not-so-religious accounting of her life and the life of her most famous child. She fiercely desires the "kingdom of justice" and expresses herself with passion, sarcasm, deep pain and strong will. Organized according to the mysteries of the traditional rosary, these poems have a distinct voice and perspective that will make for thoughtful meditations.
Read More“Ann E. Michael’s poems of fullness and emptiness combine keen observation, philosophical questions, and a refreshing groundedness that invite the reader into complex, cleanly crafted contemplations of ordinary moments—moments turned extraordinary through her clear-eyed vision and delicious language. Smart, surprising, and wry, these poems honor equally the losses and the gains. A rich and rewarding collection.” —Hayden Saunier, author of A Cartography of Home
Read More“Barefoot Girls offers a series of narrative, lyrical, persona poems backgrounded in Springsteen’s 1st three albums but projected through a girl’s perspective. The poems, inspired by memories of late adolescence, relate the stories of young women navigating sexuality, feminism, intellectual growth, and the urge to escape from “my hometown.” The 24 pieces in this chapbook represent a selection of a larger series of poems Ann E. Michael has written that explore female teen dynamics, such as the common feelings of otherness when the young person recognizes adulthood looms, and as parental and social expectations press her to follow proscribed behaviors.”
Read More“In The Capable Heart, Ann Michael evokes the wild beauty and power of horses that move us deeply and simultaneously call us to rein them in. Layered metaphor and images born of passionate attention describe the richly sensuous and spiritual encounter between women and horses: the caution and the ensuing trust, the strength arising from their closeness. We learn of the discipline between horse and rider that teaches a young daughter “who she is and who she will be,” of a mother's awakening to the restraints of her own domesticity-whether to follow the unbridled urges of her heart or to don the traces, bearing “with good will the burdens others impose . . . and pull for love.” These are moving, carefully crafted poems that earn our trust and build a world we enter and live in, which is what good poetry does.” - Paul Martin, author of Closing Distances
Read MoreFinishing Line Press, 2006.
Read More“Ann Michael’s poems combine music, formal dexterity, and insight into a synthesis that’s as pleasurable as a perfect meal. The poems can be somber and delightful in the same breath as she explores “the gradual dispersal of / everyday occurrences.” She lifts the lid on life and family moments–bee keeping, horse rearing, mothering–with lines that feel more discovered than written. Michael approaches it all with a mix of seriousness, honesty, and playfulness. I have been waiting for a book like this.” - Grant Clauser, author of Muddy Dragon on the Road to Heaven
Read More“It is my contention that true peace is not static but mobile, resilient, transforming. Wilhelm's translation of the I Ching says of T'ai (Peace): “The Receptive, which moves downward, stands above; the Creative, which moves upward, is below. Hence their influences meet and are in harmony, so that all living things bloom and prosper...at which time the forces of nature prepare the new spring.” What I attempted to do when choosing the poems for this collection was to celebrate the harmonious energy of spring as well as to acknowledge the past and future seasons that make up our lives collectively and individually. Some of these actual and metaphorical seasons are not those of prosperity and balance, but the I Ching is, after all, the Book of Changes.”
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